Home town

The Department for Tourism and Marketing, City of Düsseldorf produced a new brochure about Düsseldorf, and I was asked to provide some artwork. Boy, did I want to!

The illustration highlight some special features of the city. For example, did you know that the lamps on the outside of our broadcasting tower show the time? Or, that we have a large population of green ring-necked parakeets living in our Parks?

Working on these illustration the wish to create a whole book about Düsseldorf arose. If only I find the time for it…

 

 

 

 


Client: Stadt Düsseldorf

New Coasters

Anna Goodsons annual coaster sendout.

Anna Goodsons new Coaster arrived, and they are gorgeous. So I used his Workshop window for a small “Coaster Exhibition”.
Big thanks to the whole Group.

Bretagne mit Langbrett

Oli von Langbrett erzählte mir schon recht früh von seinen Plänen, einen kurzen Surffilm in der Bretagne zu drehen. Da wir unabhängig vom ganzen Team in unserem Bus wohnen können war für un sofort klar, dass wir auch fahren wollten.

Im Oktober ging es dann los, schön gemütlich mit je einer Übernachtung pro Strecke. Bei Ankunft waren dann gleich alle da: das Langbrett Team mit Familien und Kindern, das Filmteam mit Kameras und einer Drohne und alle Surfer der Hermannstraße in ihren Bussen. Mit so vielen anderen Surfern bin ich weder vorher jemals gereist noch habe ich mit so einer Crowd jemals gesurft. War aber erstaunlich lustig.
In der ganzen Woche wechselten sich Drehs mit freiem Surfen, gemeinsamen kochen, Kinder bespaßen und lustigem Allerlei ab. Da alle offen dem Ozean zugewandten Spots hoffnungsvoll verblasen und viel zu groß waren sind wir dann auf die etwas geschützteren ausgewichen. Glücklicherweise bietet die Bretagne so vielseitige und unterschiedliche Spots, dass wir immer wieder eine schöne Welle gefunden haben. Kerloc’h und Douarnenez bin ich auf diesem Trip zum ersten mal gesurft, als der Sturm etwas weniger wild wurde hatten wir aber auch noch tolle Sessions in der Baie des Trépassés. Das Wetter spielte auch auf dem gesamten Trip mit. Nachts regnete es fast durchgehend, aber die Tage waren sonnig bis wolkenfrei.

Den fertigen Film von Langbrett könnt ihr hier sehen: https://www.langbrett.com/film/bretagne/

Iva

For La Viva, a lifestyle Magazine I created Iva, the main character leading through the Mag.
So on a regular basis I provide new adaptations and illustrations around Iva’s worldof cooking, beauty products, the right fit for a jeans etc.
Here are some from the past few months.

Illu 14 Cologne

For the second time the Illustratoren-Festival invited for the big group show.

I aplied and – woohoo! – was selected by the Jury to participate. My wife Dasha also got selected, so we decided to share one wall.

Always nice to meet your fellow illustrators. Around 50 Artists participated and the quality of the exhibition was pretty good. And it attracted a huge crowd of visitors, estimated around 2000 in three days. I brought Mike of “oneofthem” into play and he put up his mobile serigraphy booth, which was a big success and loved by the visitors. There had been a couple of lectures and workshops like Bürgies “Zeichenfee” or my Woodprint workshop. Funny and challenging to get about 15 people to produce a woodprint in about two hours. Luckily woodprint – specialist Thomas Peters of “kunstraumdreizwanzig” came by and jumped in helping participants with all their questions.

 

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Yummy!

Canadas Food Magazine 100th Issue.

And I did the cover-ilustration – Youpi!

Iva for La Viva

The Editors of G&J asked me to create a character for their Magazine “La Viva”.

After a short pitch and some stages of finetuning I’m happy to present to you: Iva La Viva!

 

 


Client: La Viva Magazine
Agency: Gruner & Jahr

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Single Parents

Jojo Ensslin provided two illustrations for an article about single parents and blended families for “Thriving Family Magazine”.

 

 

 

 

 

 


Client: Thriving Family Magazine

8.2 ft, single fin, red

I needed a new Board.

My “Wack Board”, shaped by Hubert of crank surfboards still does his job, but due to its rocker it needs waves with a bit of punch or size. And when it’s a bit windier, due to it’s size it’s really hard to carry over sharp rocks or wiggly and slippery pebbles. So I wanted my new board to be a bit smaller, lighter, a bit less rocker but also with enough volume to compensate for the arms and the tummy. And I wanted it to be red.

I found a suitable plan online, altered the rocker and the shape a bit, printed out the ribs and spine on A4 sheets and glued them back together. Of course I could have ordered a large print, but this method worked fine before and I didn’t want to wait any longer before I could start. I still had enough paulownia planks and thin cedar strips for the rails, just needed some plywood for the ribs and stringer.

We planned on going to Portugal in December, as our last twosome trip, so I needed to get the board finished quickly. Mostly it worked out well, but it became clear that I would need a rockertable for future boards. Glassing was still difficult for me, but with more and more practice I’m quite confident that the next board will come out better. The red pigment in the resin left just enough woodstructure visible to become a subtle mix of wood and plastic. To brand it with “Yolk Surfboards” label, my fictional surfcompany, I cut out a woodprint and printed on fibreglass cloth.

I tested it in Portugal, and I was happy right away. It is the lightes board in my quiver so far, paddels well and the moment I took off it becomes pretty fast and stays maneuverable. It works in weaker waves then my big board and also not unimportant: I’ve built it myself;)

 

 

Septembre en Bretagne

Three fantastic weeks in Gwendrez.